One ticket - two screenings!

6 pm: HALLOWEEN HORROR (90')
In the spirit of the season we offer you thrills, chills and even some chuckles brought together in a collection of shorts that each feature a different creepy creature. Some prowl the night for victims while others prefer the daylight to hunt their prey. Hungry gnomes, cosmic horrors, demonic pets, crawling insects and other mysterious entities await in this selection of seven films curated especially for Halloween night. 

The films are:
-    Darkface  by Germán Sancho and Raúl Cerezo
-    Gnomes by Ruwan Heggelman
-    Moshari by Nuhash Humayun
-    Ignore It by Samuel Evenson
-    Poor Glenna by Jean-Paul DiSciscio
-    Good Boy by Eros V
-    Roach Love by Jacen Tan

8 pm: TRICK 'R TREAT (82')
Michael Doughtery’s quintessential cult classic about the lore and legends of All Hallow’s Eve and Halloween is finally making its way to cinemas to celebrate the film’s 15th anniversary. A horror anthology full of autumnal delights and rich in holiday atmosphere, Trick ’r Treat spins a total of five deliciously interconnected tales about the do’s and don’ts on Halloween night, and the price one pays for not honoring tradition. 

From a ghost story set in an abandoned quarry to a costume party that redefines the meaning of the word striptease and a tale of long-delayed but well-deserved vengeance, Trick ’r Treat is an unfiltered blast of Halloween fun that’s subversive in all the right places. Not only is it an essential collection of Halloween-centered stories, it holds up perfectly as one of the most consistent, shrewdly structured and entertaining genre film anthologies to date. 

Featuring Anna Paquin, Brian Cox and more jack-o’-lanterns than one can comfortably count, Trick ’r Treat also expands the pantheon of horror icons by summoning the embodiment of the spirit of Samhain in the sinister shape of a pumpkin-like imp with a wicked sense of poetic justice. 

Rediscover the burlap-sack-headed Trick ’r Treat mascot and see the pint-sized slasher wreak havoc on the big screen for the very first time, which is where he always belonged.